Marcelo Álvarez is the tortured clown Canio in Pagliacci.
Both Sides Now
In his new production of opera’s most popular double bill, opening April 14, Sir David McVicar emphasizes the differences of Cavalleria Rusticana and Pagliacci, revealing additional dimensions in each work in the process.
Balanchine Black & White
Twelve pivotal works open New York City Ballet’s spring season.
In these inimitable compositions, Balanchine
zeroed in on the raw essentials—music and dance—stripping
away fancy costumes and scenery along with a host of
accepted ideas of what constitutes a ballet.